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DISCOGRAPHY

 

 

RG

RECORDS / CDs as COMPOSER

ENSEMBLE : WERGO 60 065

LIEBESLIED : ORF 0120 094 LP

PHASE : COL LEGNO AU 31831 CD

SOLIPSE, RONDELL, POLYMORPH & DIAGONAL FLYING : ETCETERA KTC 1127 CD

SOLIPSE : ATTACCA BABEL 9369-1 CD

SWALLOWTAILS : FEEDBACK STUDIO CD1

LULLABY : ARTWORKS AW004 CD

CUSPS : PARADIGM PD05

POEM & HARMONICS : CDCE, Univ. de Castilla-La Mancha

BECKENSTUECK : FEEDBACK STUDIO CD3 2004

SOLIPSE : ZEITKLANG CD 2005

RECORDS / CDs as PERFORMER

PHILIPS SFL-8587 : Stockhausen PROZESSION 
CANDIDE CE 31001 : Stockhausen PROZESSION 
DGG 2707 045 : Stockhausen KURZWELLEN 
CBS S77230 : Stockhausen PROZESSION 
DGG 139 421/22 : Stockhausen HYMNEN 
VOX STGBY 615 : Stockhausen PROZESSION 
DGG 137 012 : Stockhausen MIXTUR 
DGG 139 461 : Stockhausen OPUS 1970 
HARMONIA MUNDI HM30899 : Stockhausen AUS DEN 7 TAGEN 
DGG 2530 256 : Stockhausen KOMMUNION/INTENSITAET 
DGG 2720 073 : Stockhausen AUS DEN 7 TAGEN 
ETCETERA KTC 1075 CD : Xenakis KRAANERG 
ETCETERA KTC 1103 CD : Takemitsu CORONA 
STOCKHAUSEN 13 CD : Stockhausen KURZWELLEN

PUBLICATIONS

Zur Komposition ENSEMBLE
Darmstaedter Beitraege zur Neuen Musik, B.Schotts Sons, Mainz, XI:1968

Superstring
Feedback Papers No.2, Feedback Studio Verlag, Cologne, 1971

Superstring Raum Museum Folkwang
Feedback Papers No.3, Feedback Studio Verlag, Cologne, 1972

Kompositionsstudio 1974
Darmstaedter Beitraege zur Neuen Musik, B.Schotts Sons, Mainz, XIV:1974

5 Deutsche Taenze
Darmstaedter Beitraege zur Neuen Musik, B.Schotts Sons, Mainz, XVI:1976

Kompositionsstudio 1976
Darmstaedter Beitraege zur Neuen Musik, B.Schotts Sons, Mainz, XVI:1976

SOUND=SPACE
Contemporary Music Review, Harwood Academic Publishers, Vol.6,1992

SOUND=SPACE
Feedback Papers No.40, Feedback Studio Verlag, Cologne, 1995

Three-Dimensional Sounds
Feedback Papers No.41, Feedback Studio Verlag, Cologne, 1996

Leap of Faith
Perspectives of New Music, Vol. 36, No.2, 1998

Music Technology
Proceedings of the Australian Musicological Society Annual Conference, Cambridge Scholars Press 2004

CYBERSONG
Proceedings of the NIME Annual Conference, University of Britsh Columbia 2005

NON-FORMAL REHABILITATION VIA IMMERSIVE INTERACTIVE MUSIC ENVIRONMENTS
Proceedings of ICMC2007, ICMA ISBN 0-9713192-5-1, pp 77-79

Critical Studies and Related Writings

H.Bachmann : Die gespielte Mitbestimmung, Revue Musicale Suisse 1978/1

B.Schiffer : Rolf Gehlhaar, Revue Musicale Suisse 1978/6

D.+J.Y.Bosseu r: Revolutions Musicales, Ed. Le Sycomore, Paris 1979

M.Morawska-Buengeler: Schwingende Elektronen, P.J.Tonger, Cologne 1988

R.Sutherland : New Perspectives in Music, Sun Tavern Fields, London 1994

O.Kelly : Digital Creativity, Gulbenkian Foundation, London 1996

W.Hopp : Kurzwellen von Karlheinz Stockhausen, Schott, Mainz 1998

Sparacino, Davenport and Pentland: Media in performance: Interactive spaces for dance, theater, circus, and museum exhibits IBM Systems Journal, Vol 39, Nos 3&4, 2000

L.Bullivant : Responsive Environments, p. 31, V&A Contemporary 2006

Art & Architecture Journal No 65 : d-squared, pp 53-54, London, 2007